memoir | Anita Mathias: Dreaming Beneath the Spires

Thoughts on Writing my Just-published Memoir, & the Prologue to “Rosaries, Reading, Secrets”

Writing a memoir awakens fierce memories of the past. For the past is not dead; it’s not even past, as William Faulkner observed. So what does one do with this undead past? Forgive. Forgive, huh? Forgive. Let it go. Again and again. For, after all, this world is one of insistent goodness, insistent abundance. Flowers bloom in the desert and, now, even in Antarctica. Plough a field in the English countryside, leave it fallow, and lo, it’s populated–the purple of thistles, belladonna and morning glories, the gold of buttercups and dandelions. Royal colours.

Little is wasted. We are recycled from exploded stars. Seeds look like unpromising things, hard and black. But they bring forth sunflowers and mighty mango trees; they sustain life itself. So I drop the past into the hands of God and trust him to bring from it something different and better as seeds bring forth surprises–roses perhaps, or pomegranates, forming the stuff of humans and elephants, of all this mighty world. Scientists germinated a thirty-two-thousand-year-old ice age seed in Siberia which flowered. So forgiveness is also this: to drop past pain into a greater hand, again and again, and ask him to make it bloom, even now, decades later.

Here’s the memoir, friends. Available at amazon.com and amazon.co.uk

Prologue to Rosaries, Reading, Secrets: A Catholic Childhood in India

In the Beginning:
You Woke and Heard the Birds Cough

I was made in India, in Jamshedpur, in Bihar then, (Jharkhand now), where the great Gangetic plains lope up to the foothills of the Himalayas.

The Buddha achieved enlightenment there in Bihar, six centuries before Christ; Mahavira, founder of Jainism, was born there. But I was an accidental pilgrim in this birthplace of religions. I was born in Jamshedpur because of steel.

The soil was red-ochre, flecked with tiny balls of murram, iron ore, visible signs of the hidden lodes which, in 1907, drew Zoroastrian industrialist, Jamshedji Nusserjani Tata, to Bihar to found Jamshedpur, The Steel City.

In Jamshedpur, blast furnaces belched grimness into the bleared skies as iron ore was refined to shining steel by The Tata Iron and Steel Company, one of the world’s largest steel companies, which, in 1952, lured my father, a Chartered Accountant, from still-racist London. (“Our accountant is Indian; is that a problem?” his boss had to ask. Sometimes it was.) Now he was the Controller of Accounts at Tata’s—and after he visited Pittsburgh in the sixties and introduced the first computers to TISCO, monsters which hogged a wall, he also became Manager of Data Processing, as I told everyone proudly. And “What is that?” they asked.

My father married late, aged thirty-eight. I was born after seven years of infertility and the death of their infant first-born son, Gerard, three days old. My mother never overcame her disappointment that I, born the year after Gerard, was a mere girl, while my father, who’d mournfully say that girls were a terrible thing, expected me to be every bit as extraordinary as the boy who never lived would undoubtedly have been.

Within hours of my birth, I fell ill with dysentery, which had killed my elder brother. My father vowed he would go to Mass every Friday for ten years if I lived. I did; he did. And so, in an emergency baptism with hastily-blessed hospital water, in Jamshedpur, at the heart of the Hindu heartland, I was christened Anita Mary Mathias, daughter of Noel Joseph Mathias and Celine Mary Mathias, the European surname given to our family when the Portuguese occupied my ancestral town of Mangalore on the coast of the Arabian Sea in 1510, converting the population to Roman Catholicism with the carrot of government jobs, and the stick of the Inquisition—Counter-Reformation fires reaching the tropics.

Which explains why a child born in the Hindu heartland had grandparents called Piedade Felician Mathias and Josephine Euphrosyne Lobo, Stanislaus Coelho and Molly Rebello, and great-grandmothers called Gracia Lasrado Mathias, Julianna Saldanha Lobo, Alice Coelho Rebello and Apolina Saldanha Coelho, though, on my mother’s side, everyone was a Coelho, for Coelhos, as the thirteen branches of that family observe proudly, Coelhos, whenever possible, only marry Coelhos.

Thanks for reading, friends. I’d be grateful for your support. Available at amazon.com and amazon.co.uk

Rosaries, Reading, Secrets: A Catholic Childhood in India. My new memoir

By Anita Mathias

Friends, I have written a new memoir. I would be so grateful for your support. It is available wherever Amazon sells books, Amazon.com, of course, as well as Amazon.co.uk.

Here are some reviews from distinguished writers

A beautifully written account of a childhood. The textures, colours and, above all, the tastes of a particular world are lyrically but also precisely evoked. But, although Mathias rightly celebrates the richness of that world, she weaves through this magical remembrance of things past a skein of sadness that makes it haunting. It’s lovely!

Francesca Kay, An Equal Stillness

Mathias invites us into a totally absorbing world of past and present marvels, generously laced with poetic and literary references and Dickensian levels of observation and detail. A beautifully written, important, and addictive book.

Jenny Lewis, Gilgamesh Retold

A dazzling, vibrant tale of the childhood of “the naughtiest girl in school” whose sweet tooth is exceeded only by her insatiable appetite for language and stories. Mathias conjures 1960s India, and her extended family in uproarious and heartbreaking detail.

Erin Hart, Haunted Ground

Joining intelligent winsomeness with an engaging style, Anita Mathias writes with keen observation, lively insight and hard-earned wisdom about navigating the life of thoughtful faith in a world of cultural complexities. Her story bears witness to how God wastes nothing and redeems all. Her words sing of a spirit strong in courage, compassion and a pervasive dedication to the adventure of life. As a reader, I have been challenged and changed by her beautifully told and powerful story – so will you.

Carolyn Weber, Surprised by Oxford

Anita Mathias’s memoir is a remarkable account of a Catholic childhood in India. A treasure chest of sights, sounds and scents, it is full of food (always food), books (always books), a family with all its alliances and divisions, and many glimpses of a world which is at once exotic and familiar. A feat of memory and remembrance of a moment in Indian culture, still tinged by the English presence, which yet has universal qualities.

Philip Gooden, The Story of English

Anita Mathias’s beautiful childhood memoir reflects the rich complexities of India’s myriad minorities – in her case the Catholics of Jamshedpur, built by the Tata family, the first planned industrial city in India. The Church figures prominently; one of her childhood tortures is family rosary-saying. Secondly, this is a book about “food, always food,” described in mouth-watering detail. Anita’s reading is hugely wide-ranging (from the Panchatantra and Shakespeare to Dickens) and whenever there is trouble with her parents she plunges into her book. Gossip and social scandals run throughout the book, while at school, she indulges in characteristic naughtiness (locking her class into their classroom, for example). India’s wretched wealth-poverty polarisation forms a backdrop to her story. Tormented, passionate and often sad, this book is immensely readable.

Trevor Mostyn, Coming of Age in The Middle East

Rosaries takes us into the psyche of place, from an insider who has lived and breathed India yet stands at a distance from it, both as a constantly alert observer of the human condition, and as a Catholic negotiating a Hindu culture. This subtle balance of insider and outsider means we are treated to fascinating insights and angles on life in India – its tastes and smells, its quirks and eccentricities, preoccupations and prejudices, told with glorious detail, precision and humour. Mathias reveals her evolution from naughty girl to writer: how she is shaped by inner and outer worlds to become the independent spirit and artist of language so deliciously demonstrated in this memoir.

Professor Jane Spiro, Testimony of Flight

Born of extraordinary parents and raised in an Indian steel town, Anita Mathias was blessed with no shortage of brains. She spent her first nine years putting them to endless, delightful mischief, but not without making room for some very advanced learning. With an unprecedented appetite for reading, Anita tore through libraries and every volume she could lay her tiny hands on before leaving for boarding school at nine – which incidentally she adored. Her middle class homelife was a rich array of experiences: the copious quantities of gastronomic delicacies – oh the food! – a strict and strong creative mother, a learned and caring father, a close younger sister, and the large hinterland of an impressively accomplished family. Anita was undoubtedly a dazzling star in the red earth firmament of the industrial landscape of Jamshedpur, and her pluck and charm shine through every page of this beautifully crafted, comprehensive, and erudite memoir.

We wait impatiently for the next episode – which will cover her continued rebellions at a Catholic boarding school before her own religious conversion and entry into Mother Teresa’s convent as a novice.

Ray Foulk, Picasso’s Revenge

Mathias’s prose is lively and evocative. An enjoyable and accessible book.

Sylvia Vetta, Sculpting the Elephant

A fascinating description of Mathias’s parents, education, and religious bringing. She is an accomplished writer. Merryn Williams, Six Women Novelists

And here is a longish description of the book

Rosaries, Reading, Secrets: A Catholic Childhood in India is a lyrical account of Anita Mathias’s rebellious Roman Catholic childhood in India. A vivid recreation of a vanished world.

Mathias was born Roman Catholic through historical accident: Portuguese missionaries converted her ancestral South Indian coastal town of Mangalore in the sixteenth century. However, she grew up in Jamshedpur, North India, “The Steel City,” site of India’s largest steel company, a company town benevolently run by the Zoroastrians of Tata Steel.

There the Catholic church run by American Jesuits provided an all-encompassing universe–Mass, communal rosary at the grotto, the small groups of the Catholic Family Movement and a tightly-knit social life. In a pre-TV world, visiting friends was entertainment, juicy gossip flowed with homemade wine, and children sang, danced, and recited for guests. The private clubs were the other nexus of small-town life–screening open-air Hindi, Hollywood, and European movies almost daily; hosting one-act play competitions, as well as the quiz competitions and flower, fruit and vegetable competitions her mother often won. The club libraries were a jumble of well-thumbed books and ubiquitous Enid Blyton.

Reading was a way of escape from volatile fights with her mother–Grimm and Andersen read repeatedly, Greek myths, Norse myths, and Indian epics in tattered editions and, always, British children’s classics. Her father, a Chartered Accountant, who had returned to India after eight years in England to become head of accounts at Tata Steel, read her beloved stories and poems, acting out Shakespeare plays during midnight feasts, from which she recited speeches at school, aged six, earning a “double promotion,” skipping a school year.

Though you woke and heard the birds croak in Jamshedpur, with its jagged industrial skyline and roaring blast furnaces, it was also a city of parks, gardens, rivers, restaurants rendered magical by childhood’s appetite, and sprawling open-air markets with ducks, chicken and crab sold live for the slaughter; the ecstatic neon geometry of Indian sweets; mandatory browsing in jewellery shops, and the Mecca of a second-hand bookstore where she steadily traded books to build up an aspirational library of classics.

The dreamy one-acre garden which surrounded the house, with trees to climb with a book, was a paradise to escape to with her pet dogs, ducks and chickens–a jumble of bright flowers, rock gardens, thirty fruit trees, and vegetable gardens. To a child, the large bright, airy sixteen-roomed house, originally built for British executives and filled with eccentric books, like a repository of the British Raj, was a formative universe of random reading.

Food was almost a character, everything homemade–sweets, pickles, ham, ketchup, wines, liqueurs, squash, and our version of Coca-Cola–an enterprise which required a full-time live-in cook, as the daily battle with dust and laundry needed a full-time live-in housekeeper. Meals–five a day–were events, the day’s scaffolding, and local women best known for their recipes.

With her father’s post-retirement academic job, the family moved into faculty housing on the campus of Xavier Labour Relations Institute, an American Jesuit-run business school in Jamshedpur, whose library, well-stocked with classic American literature and contemporary international drama and poetry, provided an intellectual explosion.

Mathias, irrepressible and rebellious, known as the naughtiest girl in the school, was finally expelled from school, aged nine, for disrupting classes with mischief and continual attempts at running away, and went to a boarding school, St Mary’s Convent, Nainital, run by German nuns in the Himalayas. The virtual end of childhood–and a new adventure.

I’d be so honoured if you would buy a copy. Thank you

https://amzn.to/3qahEn3

Burn-Out Vanishes When We Rediscover Purpose

By Anita Mathias

When I blogged regularly, which I did for six years, I felt more alive, more alert, more attentive to my life, and what God was doing in it. In Frederick Buechner’s phrase, I listened to my life.

I have taken a six month blogging break, and the peril of blogging breaks (or writing breaks: ask Harper Lee or Margaret Mitchell!) is that you feel you have to write something substantial, beautiful, and meaty when you return to blogging …which seems daunting, and so you put off writing—and returning.

The cardinal rule for avoiding writers’ and bloggers’ block—and indeed for any endeavour—is to begin where you are, with something little and slight if need be.

So perhaps I should catch you up with a snippet from my life, and an insight stemming from it.

* * *

The country lane on the outskirts of Oxford, England which we live, unbelievably quiet and beautiful when we moved in over ten years ago, has changed its character as more people have moved in—“Traveller” families, as it happens. It has become noisier, less idyllic and scenic. The whole village was up in arms against “Travellers” moving in; there were public meetings and hearings; I was particularly troubled because they were moving onto a field adjacent to my large garden. But in prayer, I “heard” clearly that we were not to oppose them, so we did not; we ceased attending public meetings or lodging planning protests against them, much to our other neighbours’ mystification.

In early June, because of many and noisy neighbours in what had been a quiet and deserted lane, I realized that the time had come to move–from the countryside on the edge of Oxford, where I have happily lived for the last 11 years to the city, to North Oxford in particular. And we even had an offer to buy our house, phew!!

Why North Oxford? When I applied to study in Oxford as a student in the eighties, I felt a call, a leading to Oxford, and I have never felt a call to any other city. North Oxford is walking distance from my church, St. Andrew’s; from Oxford University where I am now on my second year of the German classes I am taking for fun; from the Ashmolean Museum; the superb Oxford Playhouse, friends, parks, the river, a good gym, yoga classes. I would be able to walk most everywhere.

North Oxford is, however, substantially more expensive than my country village on the outskirts of the city. It’s the most expensive area of the UK, outside of London!!

So…

* * *

Deciding to move has galvanized us. “God meant it for good.” We have owned a small business for almost ten years now, and we have started diligently and creatively expanding it to finance our move. So that’s a definite blessing that’s come from this decision.

Many, many, years ago, I felt a longing, to write a memoir. A call? A desire, a longing, a call–they are all intertwined. God reveals his call on our lives through the desires, gifts and experiences he has given us. But the book turned out to a bigger, longer project than I had visualized, and early rejections of the proposal at a hassled, overwhelmed time of my life broke me. Temporarily.

But writing this book was a mysterious call, all right, something that perched on my shoulder, and I didn’t feel free to move on to anything else until I had completed it. So I did not…move on to something else… nor complete it.

The tale has tragic overtones now, but God who loves good stories can make dark plot twists like Joseph-in-the-well-and-dungeon and Good Friday spiral upwards and morph into gold, into Easter Sunday

Anyway, when I decided to move because of my new and noisy neighbours, I swiftly realised that moving was out of the question until I had finished this book. Moving can be stressful, especially in middle age… People can lose their health, their peace and their papers…

So I decided to finish my book before I moved. Realising that living next door to my noisy neighbours was unsustainable in the long run galvanized me to do what I had always wanted to do for years, get some momentum on the book–which has been a great joy. How relieved, how delighted I will be when the book finally gets finished.

* * *

So here I am, writing slowly but steadily.

Funny thing… In June 2016, I was convinced that I was burnt-out. Our daughter Irene, our last nestling, didn’t want to go on holiday over the February or the June half-term breaks because of her mocks and A-S exams, and all I could think of was how tired and burnt out I was, and how I needed a long, active holiday, and to walk many miles a day to exorcise a cobwebby from my mind, and flood it again with oxygen and ideas.

But then an offer came to buy my house, and I decided to sell the house, and move, and to finish my book before I even contemplate moving. With that fresh hearing of the ancient call came a new momentum, and energy descended from the heavens.

I came across this quote recently, “Burnout is more often caused by purpose deficiency than vitamin deficiency.”

My burnout lifted, just like that.

I do not make bucket lists…I see God as full of kindness towards me, with open hands towards me, full of gifts, and am okay with accepting the gifts he pours out. But if I were to make a bucket list… well, finishing and publishing this book would be one of the few things in that bucket. And circumstances have now given me a sort of deadline.

* * *

Years ago, my mentor suggested that I have a writing goal. But incredibly, I didn’t then know how to set goals. You know I would hope to write two chapters, but instead wrote a teeny bit of one… and then what?

So this time, I started really, really ridiculously small, since I was adding a new thing–finishing a book–to a life already full with blogging, parenting, exercising, German classes, gardening, house-running, church, small group, writers’ group, etc. etc. I set the timer for 5 minutes, and decided to write 20 words minimum. The next day, I went for 40, then 60, and now I am at 2300 words a day, new or revised. I keep track of the words I’ve missed on busy days, and try to make up on the days when writing feels like flying (which are not that frequent, sadly).

So this is the second/third draft of the book, revising is not the most scintillating thing, but getting the book finished will be scintillating, so I try to sit down, revise 2300 words, do some make-up words, and then I’m all done for the day.

* * *

A couple of things that are helping me. I start my writing with reading, to take the revision process more joyous. (Currently reading One Man’s Meat, E. B. White’s memoir of country life which I have just decided is not for me, and Goodbye to All That, Robert Graves’ horrifying memoir of his service in the first World War).

I am using the Pomodoro technique, work for 25 minutes, and then take a 5 minute break to tidy and declutter, or bounce on my trampoline for 1000 steps, and then back to work. 25 minutes is a maddeningly short work session, but according to Britain’s NHS, one should take an active break from sitting every 30 minutes: “excessive sitting slows the metabolism – which affects our ability to regulate blood sugar and blood pressure, and metabolise fat – and may cause weaker muscles and bones. Essentially, the body is ‘shutting down’ while sitting and there is little muscle activity.”

I am using “Freedom,” software which blocks the entire internet for the short time I am reading and writing. Divided attention destroys productivity.

I have discovered that a three mile walk through a park or by a river resets my tired mind and floods it with oxygen again; I don’t necessarily need a week or a weekend away, though they are wonderful.

I have been influenced by a book I am reading by Harvard psychiatrist John Ratey, called “Spark: How Exercise will Improve the Performance of Your Brain,” about how running, lifting weights, yoga, dance and sport can spark a measurable improvement in cognitive ability… help you think more clearly, read faster and concentrate longer… essentially make you smarter. I have certainly found it to be true. I am taking yoga classes, and lifting weights, which helps me concentrate for longer, feel more alive and happier, and sleep better.

* * *

Take away? If you are listless, bored, burnt-out and aren’t getting anything much done, re-align yourself with God. Seek his marching orders for the hour in front of you, the day in front of you, the year. Each of us has been created for a purpose, and is intended to be a bright spot in the jigsaw, the mosaic that God is working on. Ask him to reveal the purpose he has for you in the coming year, or years, and then beaver away at it. Having a purpose and focussing on it has cured cancer patients, as we’ve all anecdotally heard; given the dying a new lease of life; lifted depression; helped people achieve more than they ever imagined possible.

What is the next purpose God has in mind for your one and precious life? Aligning yourself with the Father and working on it will fill your life with excitement and energy again.

Love, Anita, tortoising, and sometimes haring, away on the book she has always wanted to write.

One Work Goal for 2105: Focus

By Anita Mathias

I enjoy the One Word project. Instead of a resolution, one asks God for a prophetic word as a guide for the year.

My word for 2014 was alignment. I have chosen Joy as the word to return to this year. When I find myself stressed, distressed, angry, worried or simply sad, I am learning to stop what I am doing, and pray until peace and clarity returns, accepting the things I cannot change, changing the things I can…

One word, alas, can be constraining for a woman whose work is words…

* * *

My biggest trauma of 2014 was colon cancer. It was not metastatic, thankfully, but because lymph nodes were involved, I was given an estimate of my chances of being alive in 5 years!!

Anyway, fortunately, the median is not the message as Stephen Jay Gould wrote in this popular essay. He was given 8 months to live aged 40, and lived for 20 years, dying at 60 of an unrelated cancer. He writes

Attitude clearly matters in fighting cancer. We don’t know why (from my old-style materialistic perspective, I suspect that mental states feed back upon the immune system). But match people with the same cancer for age, class, health, socioeconomic status, and, in general, those with positive attitudes, with a strong will and purpose for living, with commitment to struggle, with an active response to aiding their own treatment and not just a passive acceptance of anything doctors say, tend to live longer. A few months later I asked Sir Peter Medawar, my personal scientific guru and a Nobelist in immunology, what the best prescription for success against cancer might be. “A sanguine personality,” he replied.

And God, the great mathematician, is known to upset human stats. (Consider Janet Walton given 104 billion to 1 odds of bearing healthy sextuplets. Which was exactly what she did.)

However, estimates of your chances of being alive—even decent odds, as in my case–focuses the mind. “Depend upon it, Sir, when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.” Dr. Johnson wrote.

In the first shock and sadness after the diagnosis, I wandered through the house, looking at the books I had not yet read, but really wanted to; the documentaries I had not watched, but really wanted to; the books I had not written, but really wanted to; thinking of the places to which I had never travelled, but rather wanted to. I did not want to die. I was in love with life.

I was sad.

Then, who knows how, I snapped out of sadness.

* * *

I had prayed with faith for healing. Why should I proceed as if God was definitely ignore my prayers? That’s crazy behaviour for a believer. God is my Father; why should I hurt his feelings by doubting his goodness.

Fifty springs are little room to look at things in bloom, the poet A. C. Housman wrote. So since, in the Upper Room discourse at the Last Supper, Jesus repeatedly urges us to ask for anything we wish, I asked, playfully, for 50 additional years of life, which would get me to the age at which my great-grandmother Julianna died. (I come from a line of long-lived woman on both sides of the family, thriving into their nineties, often living past a hundred, women who lived on ancestral diets–not the Western diet I have indulged in for the last 30 years.)

And so, while I am steadily changing my diet in the direction of optimum nutrition, and steadily increasing my exercise, I decided to plunge back into work I really wanted to do. Work one loves–a great and mysterious extender of life.

* * *

I started work on a memoir in 1991—an account of a Catholic childhood in Jamshedpur, a Zoroashtrian company town; rebellious years in a boarding school in Nainital, in the foothills of the Himalayas, run by German and Irish nuns; and then working with Mother Teresa at Calcutta.

However, I shelved it numerous times: to write essays; to teach Creative Writing at The College of William and Mary in Williamsburg; for four years to establish a business; and then for another five years, I barely worked on it while I blogged.

Chapters have met with success. They have won a Fellowship from the National Endowment for the Arts; a Minnesota State Arts Board fellowship; a Jerome Fellowship: have won “Writer of Unusual Promise” awards to writing conferences, have been published in Best Spiritual Writing, Commonweal, London Magazine, Virginia Quarterly Review, and Notre Dame Magazine. I am certain that it will be a good book–though a long one in the first draft (which will definitely need a good editor).

I realized that if I died without finishing it, and publishing it (I am thinking of indie publishing the first longer version) I would feel enormous, almost unbearable sadness and regret, because it took me time and sacrifice to get a good first draft.

But if I died without developing my blog to dizzy heights, so be it. C’est la vie. Blogging has been enormously rewarding in psychological, spiritual, creative, personal growth, social and career ways…a trip to Cambodia, for instance… Who would have guessed? It has brought me nearly 10,000 readers a month, some of whom have become real life friends. The confidence and support a large and steady readership brings cannot be underestimated.

* * *

So I will work on the memoir first, writing 500 words a day. A long memoir averages 120,000 words, which means I could be done with it in less than 8 months; much has already been written, and I already have a first draft. Sounds good, huh?

I will shoot for 500 words rather than 1000, for that will leave time for walking, gardening, housework, prayer, family life, friendships as well as gas in the tank for another day’s writing.

500 words… I might be able to write that in an hour if I focus. Perhaps two hours if I shoot for beautiful words. In a widely shared piece, Bill Gates and Warren Buffet attributed their success to that fact that they knew how to focus.

And that is my work goal for 2015: Focus

I am using an app called Freedom to turn off the internet when I write. I really enjoy the quiet and concentration of being in the zone, and get so much done when the internet is off.

So I will write my 500 words, and then blog–a blog or two or three a week as the Lord gives me strength and energy.

I had a mentor, whose book I edited. He said he would write as the Lord provided time. I thought privately, “One can’t write like that!” But both his books are still read in a world in which bloggers publish books to a three week buzz, books which are often dead in six months, and forgotten in a year.

Apparently relying on the Lord for words and time is a very good work strategy indeed!

In Which I Tell You about My Memoir-in-Progress and My Writing Process (Monday Blog Hop)

By Anita Mathias

I have been tagged by Claire Musters to write about my work in progress, and my writing process.

What I am working on

I work on my blog, Dreaming Beneath the Spires, on the principle of the Minimum Effective Dose. What is alive grows, so I post just enough to keep my blog growing, month on month. About 2-3 posts a week.

I am wrapping up a memoir—Mind has Mountains which I have worked on sporadically since 1991, but abandoned for months, and sometimes years at a time!!

However, I have a first draft of the entire thing with several chapters published, anthologized even, winning several prizes (including a $20,000 NEA!)

I have had leading editors and agents interested on both sides of the Atlantic, but things fell apart at the stage of the proposal. They did not feel the ones I wrote were saleable.

A savvy New York agent showed a savvy New York editor the book, and they commented, “It’s as if Anita is at odds with the material. She is fighting the story.” Interestingly, though both were secular, they felt I was fighting the spiritual memoir that my life and spirit were demanding I write so as to write the literary memoir I wanted to write!

I wanted to write a memoir of an Indian Catholic childhood, ending at 18, a memoir inspired by Mary McCarthy’s Memories of a Catholic Girlhood, Annie Dillard’s An American Childhood and Patricia Hampl’s A Romantic Education. It had three sections—

I My life as a Catholic child in the Zorashtrian company town of Jamshedpur up to the age of 9 when I was expelled from the local school because of my mischievousness.

(And holidays with grandparents in Catholic enclaves of Bombay and Mangalore).

The Chapel at St. Mary’s Convent, Nainital

II Boarding school in St. Mary’s Convent, Nainital in the Himalayas, a boarding school run by Irish and German nuns at which I was rebellious, and an atheist.

III Working with Mother Teresa for two years, after an abrupt religious conversion at 17.

I wanted to write a series of essays on passions and experiences and people, like Vladimir Nabokov’s great memoir Speak, Memory: An Autobiography Revisited but the world has changed, and speeded up. People want story, not literary essays. (Not that I greatly care about literary fashions. I truly believe that self-publishing, in the first instance, is an option for sui generis books, provided one can do some marketing—which perhaps I can with God’s help.)

But I think God loves story–and created us to love good stories. The whole Bible tells a shapely story, of our simultaneous craving for God and desire to do our own thing, and how we needed a Saviour to change our hearts from within, and bear the horrid consequences of the crack in our natures.

The editors and agents who have looked at it had a point. I was stopping the story mid-story.

I talked a bit about my book to editor Amy Boucher Pye last week, and we thought about what the story of my life really was.

I suddenly realized that for me to write a solely literary memoir like Nabokov’s Speak, Memory: An Autobiography Revisited or Annie Dillard’s Pilgrim at Tinker Creek, ending at age 18 would be at odds with my story. It would leave out the two most important directional decisions of my life–deciding my life’s path would be that of a writer (aged 21) and a decision (aged 27) that I was going to align my life with Christ.

Most days I do live in Jesus, am hidden in Jesus. The story of my life is a spiritual one.

So I need another three chapters: being an undergraduate at Oxford when my faith wobbled to extinction. Doing an MFA in the US when I tried to do life without God, making a religion of poetry (and achievement), a la James Joyce. Recommitting my life to Jesus, aged 27, when I realized that I realized that I really, really hadn’t made much of my life in the last six years without Jesus.

So the memoir would have more mess, more complication, but also more truth.

While talking to Amy, I came up with a new working strapline: A rebellious girl finds peace in Christ. Ah-ha!

And I thought of another model, C. S. Lewis’s Surprised by Joy: The Shape of My Early Life which takes Lewis up to age 32, when he became “the most dejected and reluctant convert in all England,” (but what creativity and joy his conversion opened up for him!).

So I found a meta-narrative for my story. A full circle narrative: a thoroughly rebellious Catholic believer ends as thoroughly “mere Christian,” at peace–a narrative winding through the Zoroashtrian town of Jamshedpur, boarding school in Nainital; Mother Teresa in Calcutta; Oxford, England; Columbus, Ohio…

How does my work differ from others in its genre?

Well, I am a restless writer and everything I have published is in a different genre.

Wandering Between Two Worlds: Essays on Faith and Art traces my life and the evolution of my faith and struggles in the form of essays. It deals with dichotomies—East and West, Writing and Prayer, Domesticities and Art, Roots and Wings.

Francesco, Artist of Florence: The Man Who Gave Too Much, which has sold the best of all my books, is a children’s book, dealing with art, Florence, The Renaissance, beauty, good-heartedness, weakness, and the importance of forgiving oneself.

The Meek Shall Inherit the Earth is a reflection on that Beatitude, theological writing for everywoman.

The Church That Had Too Much is an odd book, the record of a dream , and I found myself writing it in the shape and rhythms of poetry.

And Mind has Mountains, of course, will be a memoir!

Why do I write what I do?

I write on whatever grabs my interest, and my writing is a way to work out my ideas or share whatever fascinates me.

How does my writing process work?

My writing process with a blog: dictate it to my iPhone when I get the idea. Think out my post. Write it pretty close to its final form. Revise it a couple of times on screen. Print it out. Re-arrange and cut paragraphs. Try to cut at least 10% of the words. Do five iterations from first draft to final draft. Hit publish.

For the memoir, I have been writing thoughts and memories as they surface in thematically organized chapters. I choose the chapter I am longing to write, and then write up episodes in the order of desire to tell about them. I revise each chapter eight times, taking less and less time at each iteration, tightening it each time, cutting a minimum of 10 %, and entire paragraphs which are of interest to me, but perhaps not to you.

I post chapters on my blog as they are done.

When I finish the entire book, I suspect I will revise it another 5-8 times at least until I have shaken off every word I can, until the prose feels as inevitable and flawless as poetry, or least is as good as I can make it.

I am taking the liberty of tagging Carolyn Weber, Amy Boucher Pye and Michael Wenham to answer the same three questions.

10 Lessons from Heartbreak Time and Death and Resurrection in Writing my Memoir (Part I)

By Anita Mathias

Crows_Lake_in_North_Sikkim_MIND_HAS_MOUNTAINS So, around 1987, when I was reading English at Somerville College, Oxford, Salman Rushdie read from Midnight’s Children at the Oxford University Majlis, the Indian society. And I stay up all night reading Midnight’s Children, transfixed. At least 95% of the novels, plays, poetry I had read until then had been written by British, American and European authors. Unconsciously, I thought of their countries, their lives, as the proper subject of literature.

Rushdie’s India was 15 years older than mine, but definitely recognizable. So all lights blaze: the moment many writers describe when they realize: “I can make literature out of what I know and have experienced.”

I quickly write about 25 pages in a green felt pen. I must dig them out.

* * *

I move on to America, to a Master’s in Creative Writing, in Ohio State University, 1987-1989 and I choose to specialize in, not memoir, but poetry, the form in which, like many beginning writers, I instinctively wrote.

So, it’s all poetry: courses in poetry, reading it, writing it, in the interstices of taking classes, and teaching Freshman composition. And then I go on to a Ph.D in Creative Writing at SUNY Binghamton in 1989–taking classes, teaching classes, writing papers, grading papers, a romantic busyness: lots of reading, thinking and a little writing, but still…all I want to do is write.

I quit my Ph. D to get married, and suddenly get to write full time, as I had always wanted to. We wander around the US–to Cornell, New York, where Roy did a post-doc; to Stanford, California, another post-doc; and then to William and Mary, where he teaches. And I write poetry full time! And then I realize I’ve written through all the poem ideas I have, and am running dry.

* * *

I pick up memoirs, almost by chance. Patricia Hampl’s, A Romantic Education, describes, with verve and verisimilitude, a family in which food, and eating and drinking were shorthand substitutes for love—much like mine. Annie Dillard in “An American Childhood” describes an intense girlhood in Pittsburgh, a steel city like Jamshedpur in which I grew up. I read Frost in May, and Mary MacCarthy’s Memories of a Catholic Girlhood.

Dostoevsky describes his Prince Myshkin before an epileptic fit

“His brain seemed to catch fire at brief moments…. His sensation of being alive and his awareness increased tenfold at those moments which flashed by like lightning. His mind and heart were flooded by a dazzling light.”

So too mine. About 4 years after the original idea, I saw my childhood and adolescence as a subject over the next few week and months, and hundreds of little memories rushed in. I jotted them down and I burned with the desire to write the memoir. (As I do now).

* * *

And in the providence which shapes our ends, my husband, who had been teaching at William and Mary was offered a postdoc the University of Minnesota. I believed I could write anywhere, so was cool with going to Minneapolis, and my two years there turned out to be absolutely one of the most stimulating and creative periods of my writing life.

The Twin Cities, Minneapolis and St. Paul, had an active literary community, particularly in Creative nonfiction and memoir. I applied to a graduate course in Creative Nonfiction at the University of Minnesota to which I had to turn in a 10 page piece of writing. I wrote my first essay, “The Goblin Market” about the raucous open air markets, magical to a young child, and it won a Roberts Writing Award, $200.

Charlie Sugnet, my writing teacher at the University of Minnesota, and the weekly book excerpts he gave us to read opened the world of creative nonfiction to me. Annie Dillard says moving from poetry to creative nonfiction is like playing with the whole orchestra rather than a single instrument. Indeed.

* * *

Mini-magic happened. I had written two long essays that term in Charlie Sugnet’s class, one about my conversion experience, and one about working at Mother Teresa’s convent.

Within a few months, the two pieces won a Minnesota State Arts Board grant ($6000), a Jerome Foundation travel grant ($1800), a mentorship award with an established writer from the Asian community: David Mura.

Sugnet said that he could see my having a career. He suggested submitting a book about my experience in Mother Teresa’s convent to editors and agents. It was not, however, the book I wanted to write–I wanted to write a memoir of my early childhood. I visualized this period as the last 20-30 pages in it

But heck, I so wanted a published book and so I embarked upon a foolish quest that saddened and poisoned many years of my life–trying to write a book I was not truly in love with, and did not want to write with my whole heart. (Samina Ali, who was in one of these classes with me, described how she wanted to write about her arranged marriage to a Muslim gay man, but was so desperate for affirmation that she almost signed on to write a book called Demon Lover, about an incestuous relationship with her father.)

Lesson 1: Write the book YOU want to write, the one you are in love with, not the one you think might be successful

So I was trying to spin a book out of 14 months of my life, wasn’t whole-heartedly in love with it, and craved validation. I joined a writers’ group with my friend, the lovely writer (and human being!) Erin Hart. Took more writing and literature classes at the University and the Loft, a literary centre, at which I taught a course in creative nonfiction. I submitted my essays to magazines and for grants and prizes and fellowships, instead of keeping just writing, and finishing the doggone thing. Which meant I was always backing up and polishing what I’d already written instead of just writing. Going forward.

And since American creative writing classes are based on the workshop model: much time waswasted reading and critiquing other amateurs work instead of communing with the greats! And this is true, for both teachers and students!

Lesson 2 Get it done, get it down, get it written. Don’t seek validation. Seek mastery.

In my second year in Minnesota I went to a writers’ conference in New England, trying to get an agent and editor and a hypercritical, ungenerous teacher there shredded my work at the sentence and grammatical level (she didn’t like my contorted pretzel-like sentences) destroying my confidence, making me analyse my sentences, instead of just writing by instinct,

I took a course in grammar and editing which I perhaps did not need, but which helped me to write with the left brain too, and write better). More tiredness, more distraction, more time wasted.

Lesson 3: Take the critique of teachers with a grain of salt, assessing them. Avoid mean-spirited, frustrated, bitter ones: tormentors rather than mentors.

I used a tenth of the $6000 State Arts Board grant to work one on one with Carol Bly (ex-wife of Robert Bly!), who could go off on wild riffs of rage about ideas and sentences or grammatical constructions she did not like, or, but was also hyperbolically lavish with praise. All rather alarming for someone who was moving from poetry to prose and was just learning to write beautiful prose. She promised to send it to her agent when I had 100 beautiful pages.

More stress, more backing up and looking over my shoulder and obsessing over each word, each phrase, each sentence instead of looking at the big picture.

I started to write self-consciously, analytically, analysing each word, phrase, sentence, wanting them to be unassailable, joy turning to stress.

Lesson 4—Quit over-analysing. Write freely, write like a river. You will never write perfectly in this life. Why should you? You are not God.

Learn to let things go. Ship.

Knowing my work would be critiqued as it was being written I started getting frozen and blocked. There was a four page chapter over which I got blocked for four months in my perfectionism, which turned out to be–unnecessary!

Lesson 5 when blocked, read, read, read. You might instinctively stumble on a form and language. If you are blocked on a chapter, move on. Perhaps you don’t have to write it.

* * *

In the summer of 1993, I go to the Squaw Valley Writers Conference in California and meet Harper and Row editor, Ted Solotaroff and an agent, Virginia Barber, who express an enthusiastic interest in my manuscript about working with Mother Teresa.

I come back walking on air to Williamsburg, where we had returned despite my desperate desire to stay in Minneapolis.

My husband wasn’t hugely supportive; he was establishing his own career as a mathematician. Life was stressful, lots of battles about who’d do the dishes and the laundry and the cleaning and the tidying. And then we had Zoe, a lovely grinny baby–and writing time and energy was at a premium. I wrote and revised the manuscript through the tired first two years of her life.

When my second revision of my manuscript was rejected by the agent and editor in October 1996, I lay face down on the carpet and wanted to die.

Lesson 6: Never confuse strong enthusiastic interest for a signature on a piece of paper.

(I later met at least three established writers who this editor had expressed a strong interest in, led them on and dumped. Why?

Read Part Two here

In which I Encounter the Angel of Writing

By Anita Mathias

Okay, I recently had one of the biggest sermon surprises in my decades of hanging around the beautiful, broken Church of Jesus Christ.

I came to RiverCamp to hear Heidi Baker, as well as Mark Stibbe because I am interested in his message of the Father Heart of God.

But what Mark talked about was—get this—writing!!

Yes, a whole sermon on writing!! Never ever heard one before.

That evening, the preacher Trevor Baker felt God told him he was going to heal someone with secondary cancer. And there was only one person in the huge tent with that. He said, “Well, that’s okay. Sometimes the message is just for one person.”

Stibbe’s message was so apposite that it felt as if it was also just for one person. Me.

* * *

Mark Stibbe spoke of writing as a spiritual gift, an anointing. He had attended a John Wimber conference as an ordinand from Nottingham and everyone else had a spiritual experience. But he did not.

However, when, on the last day, he went up for prayer, sad and disappointed, his right hand began shaking uncontrollably.

He asked God, “So, what’s going on?” God answers, “What can you do with your right hand which you cannot do with your left?”
“Write.”

And Stibbe said on that day, he received an anointing to write, an anointing, which, in R T Kendall’s phrase in his book, The Anointing, “makes the difficult easy.”

Stibbe then talked about an angel of writing, who would put its great golden wings around him when he was stuck, put a quill in his hands, and say, “Write.” Some pages from his most recent book, he says, were so “anointed” that he does not remember writing them.

He prayed for an anointing on us. Said part of an anointing is seeing things no one else sees. Seeing things before you write them down.

* * *

And in the course of the next two days, through talks on other subjects, through hours of “soaking prayer,” a vision jelled, clarified and solidified which filled my heart with joy. A re-vision, really. A recovery of lost dreams.

* * *

With a rush of sadness (because of how I’ve forgotten it) and joy (because God’s gifts and calls are irrevocable) I remembered how I began writing.

As a young woman, I had wanted to leave India to study abroad, and looked at several countries, the US, NZ, Australia, aiming low–and not thinking of the UK because of the exorbitant overseas student fees.

And then suddenly, I heard God say, “Apply to Oxford.”

Me, “Okay, I’ll apply to Oxford and Cambridge.” (Roy, now my husband, was then at Cambridge.)

Inner Voice, “No, just Oxford.”

Me, “And how will I pay for it?’

I hear, “You have your pen, haven’t you?”

And poetry came in a flood. Eight poems that evening.

(And the call to writing, and the call to Oxford are somehow intertwined, but in a way I do not understand. Yet!)

Later that month, I won a national poetry writing competition for a long poem I had written in three hours.

The gift came from God.

· * * *

But oh, how I have worried it and worried about it, tried to protect it, squeeze time for it, flog it, sinned in relationships to get time and space for it, necessarily and unnecessarily sacrificed for it.

And while—oh, I could cry—all the time it was a gift!!

* * *

As I have often written in this blog, I have two deep failures in my life. One is my failure to control my weight (though I have lost 13.5 pounds, and this is a battle I am going to win when the chairos time–is right).

The other is THE book. I had the idea for it in the late-eighties. I started writing it in 1991 and continued, off and on, until 2006, though, on the way, I got distracted and wrote and published essays, book reviews, film and theatre reviews. Oh, and had babies.

Chapters of the book met with success, the $20,000 NEA award, the $6000 Minnesota State Art Boards Award, prizes for the best article in the Catholic Press, many essay prizes, have been published in “Commonweal,” “Virginia Quarterly Review” The London Magazine, and magazines like “Notre Dame Magazine,” which paid $1000 etc. I once added up what I had already made from this unfinished, unpublished book—it was $35, 000.

And, yeah, if you detect a note of insecurity in the last paragraph, you are right!! I need to keep reminding myself there was goodness in the manuscript.

* * *

I took wrong turnings. I really wanted to write a story of my Roman Catholic Childhood in India. A teacher suggested I focus on my 14 months as a novice at Mother Teresa’s Convent. A leading editor and agent were very interested. I finished the manuscript in my life-blood through my pregnancy and the first year of my baby’s life. They turned it down. And in my naivete, I thought that that was the end of the world, instead of shipping it out again.

I then wrote the whole Indian Catholic childhood; again, agents were interested but each wanted changes which I couldn’t see how to make.

I had twisted my original vision of many short topical chapters into what the industry wanted—fewer, more thematic chapters. No wonder it was hard for me to formulate it in a magnetic proposal, write it or sell it. Also, I guess I did not try hard enough it to ship it, but crumbled with each rejection.

Crumbled too soon. Focusing on publication instead of finishing it. Focused on what the publishing industry wanted instead of my original vision. And, then, believe it or not, depressed, I shelved the project

* * *

And started selling antiquarian books in 2006, when I had bought my dream house I could not afford, and put both girls in a dream school I could not afford, either. I then founded a small publishing business in 2007. Which God blessed so much that within 3 years, my husband, Roy, was able to retire early at 47.

Which means I am writing full time, and have domestic support, the lack of which depressed and bedevilled me.

But I did not take up the book of my heart, which I have always been longing to write.

Instead, on guidance from God, I took up blogging!! Which for the last 40 months has squeezed out “real” writing. But taught me a huge amount about writing.

* * *

And then, as Mark Stibbe spoke, I clearly saw that the time had come to take up writing the book again.

And I saw the form it should take. Which was, interestingly, my original vision—many short chapters of 2-3 pages each. Roughly 800-1000 words each. In other words, the length of blog posts.

I am going to re-write the entire book, which is going to be so much easier than revising my original version. My style has changed over 40 months of blogging. It is less mandarin, less literary, less poetic, but easier to read. And to write!!

It will be too hard to revise the old manuscript. “Style is the man.” Or woman. It reflects your thinking and sensibility. When you change, your style changes. When you deliberately simplify your style and make it transparent, as one needs to in a blog, you also start thinking in shorter, lucid sentences and paragraphs.

Attempting to revise the old manuscript will be like revising someone else’s manuscript. I am a different woman now.

On the other hand, since much of the work of memory, writing and organizing into chapters is done, rewriting will be relatively easy. And very easy compared to writing it in the first place when I had masses and masses of notes and memories.

* * *

I am going to post chapters from the memoir on my blog as I write them.

I will plan to write 400-500 words of my book each day, posting each finished chapter on my blog as it’s done. 300 pages of 400 words each. 120,000 words. A page a day. And will be done with the book by September 1^st, 2014, so help me God.

And that is not an over-ambitious goal because A) the book is written. It just has to be rewritten into an easier and less mandarin style. B) I have been writing 800-1000 word blog posts every day for 40 months, and writing has now become quick and easy.

* * *

And I am so grateful to God for restoring my vision and enthusiasm for finishing my book at just the right time, the chairos time.

(Revised and edited, 31^st August, 2013)

“My Grandmothers and I”: A Memoir by Diana Holman-Hunt

By Anita Mathias

Diana was the granddaughter of the Pre-Raphaelite painter, William Holman-Hunt, and the great-niece of Millais. A more interesting lineage than most, and one which provided her a more rarefied childhood than most.

Rarefied, not necessarily happy. She was abandoned into the care of these grandmothers by a childish, selfish father, who does suddenly appear from governing the Empire, and rescue her from the boarding school at which she was desperately unhappy–then vanishes again. Her paternal grandmother was entirely selfish, and stingy to a psychopatic degree, dissolving into tears when money was demanded of her, so that Diana often lets her off. Her other grandmother was too absorbed in her pleasant country life to take much notice of Diana.

But notice things Diana did, and little of Edwardian country life, or her grandmother’s manipulations, pretensions and little stinginesses escapes her eagle eye.

Though she escaped somehow, not unscarred, but free.

Her memoir is written in little vignettes, building up detail by detail, through significant and well-remembered episodes. Its construction is brilliant–a memoir that reads as charmingly as a novel!

Prologue to Rosaries, Reading, Secrets: A Catholic Childhood in India

In the Beginning: You Woke and Heard the Birds Cough

anita.mathias

In the Beginning:
You Woke and Heard the Birds Cough