The Good Books Blog ranked #16 in Top UK Literature Blogs, August 2010
The Good Books Blog ranked #16 in Top UK Literature Blogs, August 2010
Top 20 UK literature blogs August 2010
Thank you to my readers whose links have put the blogs there.
Wikio Top UK Culture Blogs for August 2010
To Pursue Beauty to its Lair
Arundhati Roy
— Arundhati Roy
Shakespeare’s Tempest
We’ve just watched the sheerly lovely Tempest at Wadham College, Oxford, a production of The Oxford Shakespeare Company. Clearly enunciated, the poetry brought to life, even though there was too much imported slapstick for my liking and not enough magic!
Oh but the poetry! It was delicious!
The Tempest is generally considered Shakespeare’s last play, and it is a fine one. The mischievous, adolescent spirit Puck has now morphed into Ariel, a delicate-spirited spirit, who sings this poetic requiem,
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Where the bee sucks. there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
Is it too post-modern to imagine that Shakespeare here writes of colonialism–especially that of the newly discovered Americas?
And like all conquered peoples, looked down on as sub-human or inferior by the conqueror, Caliban does indeed love his native land most dearly.
This island’s mine, by Sycorax my mother,
Which thou takest from me. When thou camest first,
Thou strokedst me and madest much of me, wouldst give me
Water with berries in’t, and teach me how
To name the bigger light, and how the less,
That burn by day and night: and then I loved thee
And show’d thee all the qualities o’ the isle,
The fresh springs, brine-pits, barren place and fertile:
Cursed be I that did so!
For I am all the subjects that you have,
Which first was mine own king: and here you sty me
In this hard rock, whiles you do keep from me
The rest o’ the island.
You taught me language; and my profit on’t
Is, I know how to curse you.
Be not afeard; the isle is full of noises,
And as in many of Shakespeare’s plays, we see “reconciliation, word over all, beautiful as the sky!” Forgiveness, as I have noticed time and again, is something noble souls can come to, across cultures, whether believers or not.
Prospero displays this mature spirit, forgiving as much out of tiredness as anything else.
Though with their high wrongs I am struck to the quick,
Yet with my nobler reason ‘gaitist my fury
Do I take part: the rarer action is
In virtue than in vengeance:
His forgiveness is clear-eyed. It does not mitigate his disgust at their treachery, but he decides not to hold it against them.
For you, most wicked sir, whom to call brother
Would even infect my mouth, I do forgive
Thy rankest fault; all of them;
The Tempest is unmistakeably the great master’s farewell to his loved art, to the joys of creativity.
8 Writing Tips from C.S. Lewis
8 Writing Tips from C.S. Lewis
In 1959 an American schoolgirl wrote to C. S. Lewis asking him for advice on the craft of writing. He sent her a list of eight rules, and I add my own editorial comments to each of them.The Verger by Somerset Maugham
My father told me this story when I was a teenager. He had a splendid memory, and had probably read it 10-20 years earlier. And now, decades later, I have discovered it on the web, and it is just as he told it to me, and I remembered it. He had the last line word for word. Wow!
Joseph Conrad on The Writer’s Task
A Cab at the Door by V.S. Pritchett
For a decade or two, I preferred reading memoirs to fiction. The best are as well-written, and with as much craft. But they are “true”.
V.S. Pritchett’s A Cab at the Door is memorable. His father was a petty tyrant, schemer, dreamer, manipulator. He was inexcusably selfish. He plunged his family into poverty, while indulging himself in petty luxuries–oysters, clothes, lace, pianos.
He perpetually skirted financial disaster, and there was always “A Cab at the Door” as the title says, for yet another move under duress.
There are memorable vignettes. His father lolling in an armchair, legs splayed out, while his mother kneels before him, trying to get off his tight boots. His father eating oysters, while they watched. His father spending lavishly on himself, and niggardly on them.
The marriage, he memorably says, was ” a marriage of the rich and the poor.”
I remember reading that much later, Pritchett discovered that his father had another family, who were provided for in an even more niggardly manner. His half-sister has written a book about her childhood, farmed out to an old woman who would have her massage her nipples for hours at a time!! The Pritchetts had no idea of this family’s existence.
I conclude with an except from Thomas Lask’s New York Times Review, “Through it all, Mr. Pritchett’s mind and spirit grew, though it was squeezed and stifled in an environment hostile to art and learning. Irregularly educated and never in contact either through print or person with anything that could show him the possibilities of a life he desired, he had to live with his undisclosed and inchoate yearning. He did not know where to turn. He describes with painful recollection the humiliation he had to undergo as his father read with scorn a piece of schoolboy writing. He could not live at home, but there was so little independence in the family that he could not break away either. When he left at 20, he did it with subterfuge. He said he was going on a holiday to France, but he knew he would never return.
A novelist, short story writer, author of superb travel books, and also a critic, he has provided an engrossing document and a first-hand look at England in the first two decades of the century. It reads so quickly and is so engaging that the reader finds himself becoming unconsciously partisan, as impatient and restless as the young hero for the great day when he will be on his own.”
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