Shakespeare’s Tempest
We’ve just watched the sheerly lovely Tempest at Wadham College, Oxford, a production of The Oxford Shakespeare Company. Clearly enunciated, the poetry brought to life, even though there was too much imported slapstick for my liking and not enough magic!
Oh but the poetry! It was delicious!
The Tempest is generally considered Shakespeare’s last play, and it is a fine one. The mischievous, adolescent spirit Puck has now morphed into Ariel, a delicate-spirited spirit, who sings this poetic requiem,
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Or
Where the bee sucks. there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
Where the bee sucks. there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
Is it too post-modern to imagine that Shakespeare here writes of colonialism–especially that of the newly discovered Americas?
And like all conquered peoples, looked down on as sub-human or inferior by the conqueror, Caliban does indeed love his native land most dearly.
This island’s mine, by Sycorax my mother,
Which thou takest from me. When thou camest first,
Thou strokedst me and madest much of me, wouldst give me
Water with berries in’t, and teach me how
To name the bigger light, and how the less,
That burn by day and night: and then I loved thee
And show’d thee all the qualities o’ the isle,
The fresh springs, brine-pits, barren place and fertile:
Cursed be I that did so!
For I am all the subjects that you have,
Which first was mine own king: and here you sty me
In this hard rock, whiles you do keep from me
The rest o’ the island.
You taught me language; and my profit on’t
Is, I know how to curse you.
Be not afeard; the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me that, when I waked,
I cried to dream again.
And as in many of Shakespeare’s plays, we see “reconciliation, word over all, beautiful as the sky!” Forgiveness, as I have noticed time and again, is something noble souls can come to, across cultures, whether believers or not.
Prospero displays this mature spirit, forgiving as much out of tiredness as anything else.
Though with their high wrongs I am struck to the quick,
Yet with my nobler reason ‘gaitist my fury
Do I take part: the rarer action is
In virtue than in vengeance:
His forgiveness is clear-eyed. It does not mitigate his disgust at their treachery, but he decides not to hold it against them.
For you, most wicked sir, whom to call brother
Would even infect my mouth, I do forgive
Thy rankest fault; all of them;
The Tempest is unmistakeably the great master’s farewell to his loved art, to the joys of creativity.
“These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Ye all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.”
I have bedimm’d
The noontide sun, call’d forth the mutinous winds,
And ‘twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove’s stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck’d up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let ’em forth
By my so potent art. But this rough magic
I here abjure, and, I’ll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I’ll drown my book.
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Anthony and Cleopatra at Trinity College Gardens, Oxford
Anthony and Cleopatra at Trinity College Gardens, Oxford
I enjoy the Oxford Shakespeare Company’s production of “Anthony and Cleopatra” in the gardens of Trinity College. Trinity at dusk looks more like a stately home than a college.
The production of this perennially moving play was professional and gripping–the story of a gifted soldier and politician who finds deeper satisfaction in lust/love than in soldiership, empire, fame and wealth in competition with Octavius Caesar who was cold-bloodedly and whole-heartedly focused on his own success and advancement. As C.S. Lewis often says, at some level, people do get what they whole-heartedly seek; someone as single-mindedly focused on Empire and power would be far more likely to achieve in that one with Anthony’s divided distracted heart.
Single-mindedness, whole-hearted pursuit of one’s goals sadly achieves more than giftedness. Giftedness without discipline and focus gets one nowhere, whereas work and focus make up for the lack of giftedness. So therein is hope for everyone, and a cautionary tale for the gifted!
Though Anthony was a nobler, kinder, better human being than Caesar the fact that Caesar would win their power struggle was an inevitable and foregone conclusion. Whereas Anthony, the more interesting person, was swayed by pride, lust, loyalty,emotion, honour, Caesar was cold-blooded and rational, and governed by his head rather than his emotions, and he was indeed the man the Roman Empire needed.