I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree 
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.

You were silly like us; your gift survived it all:
     The parish of rich women, physical decay,
     Yourself. Mad Ireland hurt you into poetry.
     Now Ireland has her madness and her weather still,
     For poetry makes nothing happen: it survives
     In the valley of its making where executives
     Would never want to tamper, flows on south
     From ranches of isolation and the busy griefs,
     Raw towns that we believe and die in; it survives,
     A way of happening, a mouth.

William Yeats is laid to rest.
          Let the Irish vessel lie
          Emptied of its poetry.

Time that is intolerant

Of the brave and innocent

And indifferent in a week

To a beautiful physique

Worships language and forgives,

Everyone by whom it lives

Pardons cowardice, conceit

Lays its honours at their feet

Time that with this strange excuse

Pardoned Kipling and his views

And will pardon Paul Claudel

Pardon him for writing well.

               In the nightmare of the dark
          All the dogs of Europe bark,
          And the living nations wait,
          Each sequestered in its hate;

          Intellectual disgrace
          Stares from every human face,
          And the seas of pity lie
          Locked and frozen in each eye.

          Follow, poet, follow right
          To the bottom of the night,
          With your unconstraining voice
          Still persuade us to rejoice;

          With the farming of a verse
          Make a vineyard of the curse,
          Sing of human unsuccess
          In a rapture of distress;

          In the deserts of the heart
          Let the healing fountain start,
          In the prison of his days
          Teach the free man how to praise.